Milan Audio Concepts Speakers
Milan Audio Concepts Sound Systems
Milan Audio Concepts Speakers: There is a notation difference before and after the bass management system. Before the bass management system there is a Low Frequency Effects (LFE) channel. After the bass management system there is a subwoofer signal. A common misunderstanding is the belief that the LFE channel is the “subwoofer channel”. The bass management system may direct bass to one or more subwoofers (if present) from any channel, not just from the LFE channel. Also, if there is no subwoofer speaker present then the bass management system can direct the LFE channel to one or more of the main speakers.
Because the low-frequency effects channel requires only a fraction of the bandwidth of the other audio channels, it is referred to as the “.1″ channel; for example “5.1″ or “7.1″. Milan Audio Concepts Home Cinema: Commercial surround sound media include videocassettes, DVDs, and HDTV broadcasts encoded as compressed Dolby Digital and DTS, and lossless audio such as DTS HD Master Audio and Dolby TrueHD on Blu-ray Disc and HD DVD, which are identical to the studio master. Other commercial formats include the competing DVD-Audio (DVD-A) and Super Audio CD (SACD) formats, and MP3 Surround. Cinema 5.1 surround formats include Dolby Digital and DTS. Sony Dynamic Digital Sound (SDDS) is an 8 channel cinema configuration which features 5 independent audio channels across the front with two independent surround channels, and a Low-frequency effects channel. Traditional 7.1 surround speaker configuration introduces two additional rear speakers to the conventional 5.1 arrangement, for a total of four surround channels and three front channels, to create a more 360Â° sound field.
Milan Audio Concepts Cinema: Surround sound is a technique for enriching the sound reproduction quality of an audio source with additional audio channels from speakers that surround the listener (surround channels), providing sound from a 360Â° radius in the horizontal plane (2D) as opposed to “screen channels” (centre, [front] left, and [front] right) originating only from the listener’s forward arc.
Surround sound is characterized by a listener location or sweet spot where the audio effects work best, and presents a fixed or forward perspective of the sound field to the listener at this location. The technique enhances the perception of sound spatialization by exploiting sound localization; a listener’s ability to identify the location or origin of a detected sound in direction and distance. Typically this is achieved by using multiple discrete audio channels routed to an array of loudspeakers.
About Milan Audio Concepts Audio: The first documented use of surround sound was in 1940, for the Disney studio’s animated film Fantasia. Walt Disney was inspired by Rimsky Korsakov’s operatic piece, Flight of the Bumblebee to have a bumblebee featured in his musical Fantasia and also sound as if it was flying in all parts of the theatre â€“ the unsuccessful experimentation led to the music being excluded from the film and the eventual invention of “surround sound”.
The initial multichannel audio application was called ‘Fantasound’, comprising three audio channels and speakers. The sound was diffused throughout the cinema, initially by an engineer using some 54 loudspeakers. The surround sound was achieved using the sum and the difference of the phase of the sound. In the 1950s, the German composer Karlheinz Stockhausen experimented with and produced ground-breaking electronic compositions such as Gesang der JÃ¼nglinge and Kontakte, the latter using fully discrete and rotating quadraphonic sounds generated with industrial electronic equipment in Herbert Eimert’s studio at the Westdeutscher Rundfunk (WDR). Edgar Varese’s Poeme Electronique, created for the Iannis Xenakis designed Philips Pavilion at the 1958 Brussels World’s Fair, also utilised spatial audio with 425 loudspeakers used to move sound throughout the pavilion. There are also many other composers that created ground-breaking surround sound works in the same time period.